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Showing posts with label EASTSIDE LEGENDS. Show all posts
Showing posts with label EASTSIDE LEGENDS. Show all posts

Wednesday, June 25, 2025

THE STARS OF EAST LA

 THE STARS OF EAST LA FULL VERSION WITH IMAGES 2025





"The Stars Of East LA Rhapsody" is a two song record that combines "The Stars Of East LA"a song written by Art Brambilla about the music and musicians of east Los Angeles in the 1960's and early '70's, and a new version of "Land Of 1000 Dances"

The singers and musicians on the recording, with the exception of two, are all veterans of the Eastside .Sound period.

The credits are on the back cover posted above and at the end of the video.The full song will be available on all platforns soon.

CLICK HERE FOR THE YOUTUBE VIDEO:


NO COPYRIGHT INFRINGEMENT INTENDED!! SOLELY FOR HISTORICAL ABDE EDUCATIONAL PURPOSES


Sunday, October 20, 2019

EASTSIDE LEGEND EDDIE TORRES PASSES AWAY



Eddie Torres was born and raised in Texas and after a stint in the Marine Corp he relocated to California.
Eddie attended East Los Angeles College and majored in sociology. Upon graduation Eddie took on a job working with gang members and potential gang members to keep them out of trouble.

As part of his plan in helping gang members, Eddie began promoting dances with local bands. At a dance held at St Alonsos Church in East Los Angeles, Eddie met a band called The Fabulous Gentiles. Impressed by the band Eddie urged them to change their name. They became Thee Midniters (taken from one of their favorite groups Hank Ballard & The Midnighters).

Eddie became the groups manager and arranged concerts for the band while giving them discipline and direction. The band would do as many as four shows a night traveling great distances between performances and their popularity grew.

Over the years Eddie became friends and partnered with Dick Hugg "Huggy Boy" and they promoted and sponsored concerts and dances in the neighborhood as well as the Huggy Boy Show.

To promote the band, Torres contacted Mike Carcano, owner of The Record Inn on Whittier Boulevard who showcased the band's record releases by holding in-store appearances. While the rest of the world was caught up in Beatlemania, Eddie Torres in East Los Angeles, California was giving rise to Midnitersmania.

In December, 1965 Eddie booked Thee Midniters to a major concert held at the Hollywood Bowl and hosted by Casey Kasem and radio station KRLA. The band also got exposure on local television shows Shebang and 9th Street West.

In 1966, Torres started his own record label, Whittier Records to further promote the band and their music. Thee Midniters were now the hottest band in town but Eddie wanted them to get them to the next level. He urged them to start writing their own songs which under major pressure they did.

The only thing missing was a record deal with a major record label and national exposure. Eddie contended that his Whittier label would become as big as another local record label, A&M Records but try as he might Eddie could never achieve that success.

RCA Records became interested in signing the band but a deal was never made. The band has their side of the story and Eddie has his. Whether Torres didn't want to lose control of the band and sabatoged any deal or the fact that RCA didn't want to give Torres or the band any upfront money for their album "Love Sprecial Delivery" is up for discussion.

The RCA debacle marked the beginning of the end of the relationship between Eddie and the band. Eddie officially departed in late 1968.

Eddie did not leave the music business. He would go on to promote other Chicano musicians including Thee Impalas, The Runabouts and Mark Guerrero. The importance and impact of Eddie Torres on the East Los Angeles music scene can not be over emphasized. He gave us the best band to ever come out of East L.A...... Thee Midniters.

Eddie Torres passed away October 17,2019, a legend of the Easiside Sound.

Tuesday, April 4, 2017

EASTSIDE LEGEND CHICK CARLTON PASSES AWAY



SPECIAL THANKS TO MONICA BROWN DOYLE, CHICK'S ELDEST DAUGHTER FOR THE BIOGRAPHICAL INFORMATION.

Carlton R Brown
AKA: Chick Carlton
Born: 1937 in Kansas
Passed Away March, 13 2017 in Las Vegas, Nevada from cancer
His parents Carl Brown (deceased) Lillian Ransom (deceased) , one brother Russell brown (deceased) Russell has a daughter Cailin Brown

He leaves behind three daughters:
Monica Doyle Brown age 56 and Michelle Brown Rodriguez age 49 from wife Nancy Rios Brown (divorced)
Ashley Blasque age 27 her mother is Roberta Blasque (deceased) never married to Chick.

Chic was married in 1958 to Nancy Rios in Los Angeles.
2nd wife Janice Schmidt (divorced)
3rd wife Yvonne Richardson (divorced)
4th long time partner for the last 27 years, Harriette Vickers.

Besides his music, Chick had a long career with the city of Pasadena, California before retiring and moving to Las Vegas.

Chick had been a Facebook friend and commentator on my site for the past few years.

More information on Chick's musical career can be found on my post EASTSIDE BANDS 'CHICK CARTON & THE MAJESTICS. LINK HERE:

http://wwwyoufoundthateastsidesoundcom.blogspot.com/2012/06/eastside-bands-chick-carlton-majestics.html

An acomplished writer & recording artist here are some of Chick's 45RPM records:




























NO COPYRIGHT INFRINGEMENT INTENDED!!

SOLELY FOR HISTORICAL & EDUCATIONAL PURPOSES!!

ROSIE HAMLIN DEAD AT 71



REPOST FROM THE SAN DIEGO UNION TRIBUNE:
Rosie Hamlin, the lead singer in the San Diego band Rosie and The Originals, died Thursday at the age of 71. She was a teenager when she wrote and sang lead on the Originals’ classic 1961 hit, “Angel Baby.” It was later covered by everyone from John Lennon, Linda Ronstadt and Jenni Rivera to Tiffany, System of a Down and San Diego’s Mrs. Magician.
No cause of death has been given for Hamlin, whose passing was disclosed by her daughter, Deborah, on the Rosie and The Originals website. It is not yet known where the veteran vocalist was at the time of her death.
“Very Saddened to say that my mom Rosalie Hamlin passed away,” her daughter wrote. “She was 71 and passed in her sleep. She didn't perform anymore, and had removed herself from the music scene because of health concerns. She did still paint and tended a very lovely garden. She will be greatly missed by so many. Thank you for all your wishes and time and kind words. It meant a lot to her. God bless.”
Hamlin had been battling fibromyalgia, a disorder that causes widespread muscular skeletal pain, since 2000. A 2004 post on her website offers a detailed account of her fight against fibromyalgia and gives thanks for the assistance she received. The post also references her position as a music teacher for young people at Barrio Station in Logan Heights, near downtown San Diego.

Former Beatle John Lennon was such a fan of Hamlin and of “Angel Baby” that he recorded the song for his 1975 oldies collection, “Rock ‘n’ Roll.” It did not appear on that album, but was added to the expanded 2004 reissue.
Lennon’s brassy take on “Angel Baby” first appeared on his posthumously released 1986 album, “Menlove Ave.” At the start of his version, he offered a dedication: “This here is one of my all-time favorite songs. Send my love to Rosie, wherever she may be.”
Hamlin and Lennon never met in person, as she lamented in a 2001 San Diego Union-Tribune interview.
“He was traveling, I was traveling,” she recalled. “I never got to be on a show with him or meet him. The closest I got to hearing anything from him was on the recording of ‘Angel Baby.’”
Rosalie “Rosie” Méndez Hamlin was born in Klamath Falls, Ore., on July 21, 1945. Her family moved to Alaska then to National City, just south of San Diego.
By the time she was 13 and a student at O’Farrell Junior High, Hamlin was sneaking out to sing with a local country-music band. She told the other members she was 16. While only paid in tips, Hamlin was delighted to be on stage. “I was just happy to sing,” she wrote on her website.
Hamlin was only 14 when she wrote “Angel Baby,” inspired equally by a teenage crush she had at the time and by “Earth Angel,” a heart-wrenching doo-wop hit by The Penguins.
She recorded the song in a converted airline hangar in San Marcos, not long after her uncle’s girlfriend introduced her to the musicians who became The Originals — bassist Tony Gomez and guitarists David Ponci and Noah Tafolla. Drummer Carl Von Goodat and saxophonist Alfred Barrett came on board a short while later.
“We were looking for somebody who might have a recording studio,” Hamlin told the Union-Tribune. “And in those days there really weren't any here in San Diego yet. I (thought) we were going to have to go to Los Angeles.”
However, making a recording and securing a record contract were two very different matters, as Hamlin recounted in the biography on her website.
“We had trouble landing a record deal,” she wrote. “We couldn’t even get an appointment with any of the labels. So we took one of our 45’s to Kresge’s Department Store in San Diego. They had listening booths in their music section where you could preview records before you bought them. We asked the manager to play our record and see if he could sell it in his store.”
A deal with Highland Records followed, although the label insisted that Ponci — as the oldest member of The Originals — receive sole writing credit. Released in 1960, the song rose to No. 5 on the national charts by early 1961. Hamlin would spend years battling to regain authorship credit and the music publishing royalties to her song.
The success of “Angel Baby” led to an “American Bandstand” TV appearance and concert tours with Chuck Berry, Little Richard and other stars. Despite the release of at least five other singles in 1961 and 1962, “Angel Baby” would be Hamlin’s sole hit. Several decades later, the song earned her a place of prominence in the Rock and Roll Hall of Fame’s “One-Hit Wonder” exhibit in Cleveland. Hamlin was elated.
“I was the first Latina to be in the Rock & Roll Hall Of Fame in Cleveland, Ohio,” she wrote on her website, “for my song ‘Angel Baby.’”
After her lone hit, Hamlin went on to record an album with Originals’ guitarist Tafolla, to whom she was married for three years. She quit music in the 1960s to raise her son, Joey Tafolla, and daughter, Deborah Cray. A subsequent marriage produced her second son, John Sanders.
But she returned to singing in each subsequent decade, leading varying lineups of The Originals, until her health problems became too severe.
“I just can't stay away,” she told the Union-Tribune of her passion for music. “I love it.”
NO COPYRIGHT INFRINGEMENT INTENDED!! SOLEY FOR EDUCATIONAL & HISTORICAL PURPOSES!!

Sunday, May 13, 2012

EASTSIDE LEGENDS - THE SALAS BROTHERS



The Salas Brothers, Steve & Rudy have been a major influence on the Eastside Sound from the mid 1960's right up to present day. Their nearly fifty years of recording and live performances make them legendary figures in the changing music world and Chicano Soul while staying true to their musical roots.

Steve and Rudy Salas grew up in East Los Angeles and were first discovered by Mario Paniagua, leader of The Percussions/Jaguars, performing at a neighborhood bazaar. With their fathers consent, the Salas Brothers started performing with The Jaguars at El Monte Legion Stadiun, the Paramount Ballroom and other local venues. Steve was 9 and Rudy was 11 at the time.

Rudy had a part on The Jaguars's single "Where Lovers Go (Faro 618) in 1964. (See my post Eastside Bands - The Jaguars).

By 1965 the boys had been introduced to Eddie Davis who took them into the studio to record their first record. "Darling (Please Bring Your Love) and "Leaving You" were released on Davis' Faro label (Faro 614) in 1965. "Darling" was a remake of Phil & Harv's classic ballad from 1961. "Leaving You" was a beautifully written song by Mario Paniagua sung in English & in Spanish.



You May Listen To The Salas Brothers "Darling (Please Bring Your Love" Here:






You May Listen To The Salas Brothers "Leaving You" Here:




For their second single The Salas Brothers recorded " The Return Of Farmer John" and "Love Is Strange" released on the Faro label (Faro 619) in 1965. "The Return Of Farmer John" is an answer to The Premiers big hit "Farmer John" "Love Is Strange" is a remake of the Mickey & Sylvia hit.










For their third & final single, The Salas Brothers recorded another Mario Paniagua penned tune "One Like Mine" and backed it with a Christmas classic "Donde Esta Santa Claus" for Faro (Faro 625) also in 1965.




You May Listen To The Salas Brothers "One Like Mine" Here:







After high school Steve went to Stanford University and would record with his group Six-Pak in 1969 and in 1972 would sing lead on El Chicano's "Brown Eyed Girl"

In 1969 Rudy Salas would record with the group One G + Three. We will look at Salas Brothers post-duo days at a later date.

In 1973, The Salas Brothers would get back together & form a new Band, Tierra.













THE SALAS BROTHERS AT NICK'S TASTE OF TEXAS IN COVINA, CALIFORNIA 2011


NO COPYRIGHT INFRINGEMENT INTENDED!!!!

Solely for historical & educational purposes and for listening pleasure.

EASTSIDE LEGENDS - THE SLAUSON BROTHERS



The Slauson Brothers were George and Johnny Ochoa who hailed from Commerce, California. In 1964 they recorded the Eastside classic "Rosalie" for Godfrey Kerr's Gee label (Gee Kay 1003). The record was reissued on Kerr's Flashback label (Flashback 105).




You May Listen To The Slauson Brothers "Rosalie" Here:



The B side of the record is "Power Glide" by The Impalas







The Slauson Brothers would later in the year record "Baby Come Home" for Godfrey Kerr's Kay Gee label (Kay Gee 102)





The B side of the record was "2 O'Clock Blues" by The Impalas



NO COPYRIGHT INFRINGEMENT INTENDED!!!!

Solely for historical and educational purposes and for listening pleasure.

Sunday, May 6, 2012

EASTSIDE LEGENDS - ALFRED & JOE


   
Alfredo Garcia was born in Mexico in 1945. In 1955 his family moved to Los Angles. He came from a musical background influence by his grandfather & father and later the Los Angeles music scene. He attended Catherdral High School and then went on to East Los Angeles College.

His singing partner, Joe Silva was from Lincoln Heights, California. Alfred & Joe formed a band, The Noblemen whose members were from Cathedral and Belmont High Schools. The band included Richard Duran on lead guitar and drummer Alfred Rubalcava. The band performed locally at weddings and quinceaneras.

Alfred & Joe used to buy records at the Flash Record Store where they met Rudy Benavides, an employee. Rudy attended a couple of Alfred & Joe's gigs and after liking what he heard sent them to Godfrey Kerr who owned the Kay-Gee record label. Godfrey picked a song, "Darling Dear" which was a 1953 classic recording by The Counts for them to record.

In 1964, Alfred & Joe & The Noblemen recorded "Darling Dear" released on the Kay-Gee label (Kay-Gee 101). The B-side of the record, "Soul Shuffle" an instrumental with a surf flavor recorded by The Noblemen.







The Noblemen would go on to back Godfrey on his 1965 single "The Trip" (see my profile of Godfrey Kerr under The Eastside Sound Hits The Radio Airwaves.


Thanks to Ruben Molina, Alfred Garcia is back in the Eastside scene talking about his music and memories.

You may listen to a fascinating interview Steve Propes did with Alfred on Steve's 45's show on radio station WPMD in Cerritos, California by following these links:

Part 1



Part 2



Part 3



NO COPYRIGHT INFRINGEMENT INTENDED!!!!!

Solely for historical & educational purposes and for listening pleasure

Saturday, May 5, 2012

EASTSIDE LEGENDS - LITTLE RAY JIMENEZ


                               

Little Ray (Jimenez) is one one the biggest stars and one of the greatest voices of the Eastside Sound. He could sing uptempo R&B as well as croon a soulful ballad. His singing, dancing and overall stage presence make him a true Eastside Legend.

His records are extremely hard to find and very valuable as he has been placed in the Northern Soul genre.

Ramon Jimenez was born & raised in the farm worker community of Delano, California. He grew up influenced by the music of Little Richard, Fats Domino and Elvis Presley. He became part of the Rhythm Kings act in Delano and they billed him as "Little Elvis"

At age eleven Ed Cobb of the Four Preps took Little Ray to Lew Bedell's Dore Records where he recorded "There Is Something On Your Mind" and "My Rainbow which were released in 1961 (Dore 590).

"There is Something On Your Mind" is a cover of the Big Jay McNeely classic.


.


You May Listen To Little Ray - "My Rainbow" Here:

https://www.youtube.com/watch?v=VprOQtesbp8





You May Listen To: Little Ray - "There's Something On Your Mind" Here:

 https://www.youtube.com/watch?v=nfyLiMeS44A

Ray moved to Los Angeles where he attended Salesian and Gafield High Schools. He recorded "Shake, Shout And Soul" (recorded at the Santa Monica Civc) and "Soul Stomp" with backing by the Premiers (of "Farmer John" fame) for Tony Hilder's Impact label (Impact 26) in 1962.




You May Listen To Lil' Ray & The Premiers "Shake, Shout & Soul' Here:

http://www.youtube.com/watch?v=2UajHix9zqk




You May Listen To Lil' Ray & The Premiers "Soul & Stomp" Here"

http://www.youtube.com/watch?v=9Cn9dci1c5s

The record is so sought after & hard to find that it was reproduced in 2016 for collectors






Ray would hook-up with members of Thee Midniters at a car club meeting and later record "Loreta" and "My Girl" (Impact 30) in 1962. "My Girl" is Little Ray's answer to Mary Wells "My Guy". Ray's career with Thee Midniters would only last six months. Ray was unable to make an East Los Angeles College gig where he was to sing "Land Of A Thousand Dances" because of transportation problems from Delano.The tune was sung by Little Willie G who became Thee Midniters featured vocalist. Thee Midniters version of "Land Of A Thousand Dances"version would be released on the Chattahoochie label..



You May Listen To Lil' Ray & The Midniters "Loretta" Here:

http://www.youtube.com/watch?v=4g74plASQ7A





In 1963, Ray would record two songs written by Ed Cobb for the Warner Brothers label, "Come Baby Dance" and "You Can't Hurt Me" (Warner Brothers 5351)








Little Ray would work with Thee Midniters again and record "Karen" and "Come Swim With Me" for Eddie Davis' Faro label in 1964 (Faro 617).







In 1965 Little Ray put together his own band called The Progressions.

Members Of The Progressions:

Tony Garcia (sax)
Joe Osula (baritone sax)
"Bones" Ramos (trumpet, french horn)
Clarence Playa (guitar,vocals)
Tony Escalante (guitar)
John Pride (keyboards)
Mike "Bozo" Rodriguez (bass)
Marshall Tavarez (bass)

Little Ray & The Progressions became very popular playing the eastside ballroom circuit which included my favorite, The Montebello Ballroom. They signed with Bob Keane's Donna label and recorded a remake of the Ben E. King classic "I Who Have Nothing" and a tune written by Arthur Lee (of Love fame) "I've Been Trying". The recording session was scheduled for midnight and when the bass player couldn't make it, my cousin Mickey Aversa (of Mickey & The Invaders fame) was called in. The record was released in 1965 (Donna 1404). It was picked up by the Atco label and also released in 1965 (Atco 6455)














The tunes would also be released on the Mustang label. See BEHIND THE RECORD for the full story




Also in 1965 Little Ray would record a very obscure song & record "It's Good Enough For Me" This record is currently on my want list.

In 1966 or 1967 Little Ray would record for Columbia and release "I'll Keep On Loving You" and "Leave her Alone" (Columbia 44287), highly sought after by Northern Soul collectors.












In the early 1970's Ray teamed up with Willie G to form a group called God's Children and recorded "Hey, Does Somebody Care" for the Uni label (Uni 55295) in 1971. The song became the theme song for the television series, "Matt Lincoln"

Ray still performs today and has his own recording studio in East Los Angeles called Santuary Studios.




FOR MORE INFORMATION ON LITTLE RAY JIMENEZ PLEASE READ THE FASCINATING AND INFORMATIVE ARTICLE WRITTEN BY MARK GUERRERO AT HIS SITE FOUND HERE:


NO COPYRIGHT INFRINGEMENT INTENDED!!!!

Solely for historical & educational purposes and for listening pleasure.